Most Popular

National Features >

  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Flower Power

By Hiya Swanhuyser

Published on September 24, 2008

Jennifer K. Wofford's drawings adorn streetside kiosks up and down Market Street; they are taken from her new graphic novel. "Flor de Manila y San Francisco" charts the progress and thoughts of a young woman, Flor Villanueva, as she moves from the Phillipines to the U.S. The pictures are deeply accessible and very beautiful, portraying Flor as an observant newcomer in the years between 1973 and 1978. She stands in familiar spaces (on Market Street, for example) but remembers her home as she considers the events of her time. The block-color and line-drawing images lend themselves extremely well to the poster format, reminding us, schematically, of the previous Art on Market Street series, Packard Jennings and Steve Lambert's utopian funnies. But Wofford's work is calmer and more personal, while still incorporating a little kitsch: one of the posters finds Flor scanning the sky, thinking about Skylab.
Oct. 1-Dec. 19, 2008