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Recent Articles
Recent Articles by Nathaniel Eaton
Our critics weigh in on local theater
Finally, mopey hipsters have their own musical
Square Mama revives dead comedy. Bad idea.
Our critics weigh in on local theater
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National Features >
Houston Press
A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.
By Rich Connelly
City Pages
Today Denver, tomorrow the Twin Cities.
By Matt Snyders and Bradley Campbell
The Pitch
A country musician rescues Waylon Jennings' tour bus from the scrap heap.
By C.J. Janovy
Village Voice
The provocateur who brought you "Piss Christ" pinches off a new concept.
By Lynn Yaeger
Killing My Lobster new show doesn't kill
Published on July 16, 2008
San Francisco's flagship comedy troupe is back with a new show, new actors, and a different performance space. This edition's theme is "time," and the sketches bounce boldly among different historical periods and characters, including turkey-hunting Pilgrims, '60s acid trippers, mushroom-gathering cave people, Romans in togas. The first act struggles for laughs, but with the help of KML veterans Leslie Waggoner, Sarah Mitchell, and Todd Brotze, the show finds its hilarity in the second half. Mitchell and Brotze channel the absurdity of SNL's famous Christopher Walken "Colonial Angus" scene in their Civil War tribute, and the entire cast kills in a 1950s-set sketch where the June Cleaveresque women fight for their rights to be "well serviced" (there are numerous references to cunnilingus throughout the night). Unfortunately, the cavernous stage at the Dance Mission Theater has horrible acoustics and swallows up the rapid-fire dialogue, and the musical numbers are completely lost while actors try to compete with the four-piece band. KML has been better in the past, and I miss the troupe's old ODC theater, but these guys still deliver the laughs.