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  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

What's the Matter, Beautiful?

By Hiya Swanhuyser

Published on June 11, 2008 at 4:28am

If there were punk Latina editors at Cosmopolitan, they might turn out images like Sylvia Ji's paintings. But no fashion mag we've ever seen captures women with power vectors shooting out their eyes as strong as the ones in Ji's portraits. A surprising number of people have tattoos of her images — all are faithful representations of the artist's calmly hypercolored death-maidens. Throw masterful Día de los Muertos skull facepaint on a Suicide Girl and royally piss her off: This is the basic feel of Ji's paintings. These women: Are they dead? Are they feminist? La Malinche? La Llorona? Clearly, something is not right with them — almost as if being gorgeous were not a cure-all, wouldn't protect you from death and rot, and might put you in danger's way so you better get tough fast.
June 14-July 12, 2008