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  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

How High?

By Hiya Swanhuyser

Published on May 13, 2008 at 4:20am

Pete Ippel is a modern exponent of a long-standing tradition: the bro artist. Think of athlete-philosophers like Jack Kerouac, Richie Tenenbaum, both Jack Johnsons, or Muhammad Ali. (OK, one of those guys is fictional, but he's portrayed by a guy who also fits into this category, Luke Wilson.) Ippel surfs, plays basketball, and his video work explores issues such as hands-free noseblowing and how weird it is to have emotions about water. At "The Fantastic Solution to Global Warming and Other Conundrums," the artist/dude shows near-abstract storytelling paintings and also includes some of his jumping work. Having been a track-and-field enthusiast in his undergraduate years, Ippel found himself a man without a team when he arrived at the San Francisco Art Institute. A good sport, he brought his two worlds together by photographing all those who engage in jumping, an act he calls "essentially human flight."
May 16-31, 2008