Most Popular
-
The Principal Matter
Teachers said Principal Gil Cho was dictatorial. Students said he manhandled them. The school district said he was doing a good job.
-
He's No Angel
They once called him a savior who helped people in need. Today, Edwin Parada is accused of taking money from Latinos unfamiliar with real estate laws.
-
Nonconformity Still Reigns!
The top eccentrics of San Francisco, and that's saying something.
-
A Time to Kill
The SPCA is struggling to finance a new hospital, and one way to save money is to speed up euthanasia.
-
Blood, Sweat, and Tutus
Tear your knee, wrench your back, pirouette, and bow: dancing at the San Francisco Ballet.
Blogs
Sat Jul 26, 11:29 AM
Fri Jul 25, 5:31 PM
Sat Jul 26, 4:48 PM
Sat Jul 26, 1:54 PM
Sat Jul 26, 4:42 PM
Fri Jul 25, 2:08 PM
Fri Jul 25, 4:00 PM
Fri Jul 25, 4:00 PM
Recent Articles
Recent Articles by Nick Pinkerton
No related articles found
National Features >
City Pages
Minnesota's Tim Pawlenty grooms himself for vice-presidential consideration--by being a jerk.
By Jonathan Kaminsky
Miami New Times
Our reporter sets out in search of a naked lunch.
By Janine Zeitlin
Broward-Palm Beach New Times
Before swinging a bat in a lesbian softball league, pick a side: gay or straight?
By Amy Guthrie
Village Voice
At JFK, Erhan Yildirim clears corpses for takeoff.
By Elizabeth Dwoskin
Taxi Driver
Published on February 06, 2008
Staying on the current-events beat after his 2005 Enron: The Smartest Guys in the Room, filmmaker Alex Gibney aims to make ripped-from-the-headlines j'accusations that are also durable documents with Taxi to the Dark Side. The title refers to the cab driven by an Afghan man named Dilawar. Picked up as a suspect in a rocket attack in 2002, he was placed in the custody of U.S. soldiers at the Bagram "Collection Point." Within five days, he was dead from the injuries he sustained from beatings to the legs, complicated by the trauma of being left spreadeagled and handcuffed to the ceiling of his cell. Dilawar's story is used as the entryway into a larger discussion of systems, as his prison cell opens onto a broad study of American interrogation tactics as theyve developed in the years following 9/11. Gibney's experts answer the central question "Does torture ever work?" with something close to a pat "no." But maybe Taxi has to cut messy issues clean, so they'll fit as building blocks in its splendid polemic architecture? When you step back, it is something to admire: Without cheapening the suffering of American or Afghan, the film retrieves the torture issue from the realm of the abstract and gives the plain facts of this world right now.
Feb. 8-14, 2008